The Swallows of Lunetto

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Joseph Fasano is the author of the novels The Swallows of Lunetto (Maudlin House, 2022) and The Dark Heart of Every Wild Thing (Platypus Press, 2020), which was named one of the "20 Best Small Press Books of 2020." His books of poetry include The Last Song of the World (BOA Editions, 2024), The Crossing (2018), Vincent (2015), Inheritance (2014), and Fugue for Other Hands (2013). His honors include the Cider Press Review Book Award, the Rattle Poetry Prize, and a nomination for the Poets' Prize, "awarded annually for the best book of verse published by a living American poet two years prior to the award year." Face coverings are required of all staff and attendees when inside the store. Masks must snugly cover nose and mouth. So much of the brutal, beautiful magic of Christina Rosso's Creole Conjure is in its intricate details and how deftly they weave themselves together into a seductively monstrous, fairytale tapestry. Each one of these stories is inextricably intertwined with its sister stories-each a single coiled snake on the head of the well-groomed Gorgon. Strands of the old-world fairy tales we know are braided with the new-world characters and landscapes. In Rosso's darkly dreamy New Orleans and lush swamplands, women and girls find themselves both freed and dammned by their own bestial appetites. You can't be certain from one moment to the next who will be devouring whom." – Lindsay Lusby, author of Catechesis: a postpastoral What had been missing in those previous manuscripts, I now see, was the voice, the inevitable music and thrust of the narrative. Suddenly—and as often happens in life, inexplicably—that voice announced itself to me, and I began writing. The difference, of course, was that now I was listening; I was letting the story have its way with me.

From Joseph Fasano, the acclaimed author of The Dark Heart of Every Wild Thing, comes The Swallows of Lunetto, the powerful story of a young couple's escape from Italian fascism at the end of the Second World War. Fasano seems to be always concerned with the archetypal webs of life and the characters really highlight the importance of that in his body of work - it’s all the more exciting to feel that relationship to the characters. They feel familiar not only because Italian culture feels warm and inviting, but because their stories and wisdom are in us - in some way - too. This is different from his previous novel which was concerned with just a few characters and moments of dialogue; this book moves differently and seems a new achievement for such a poetry-oriented author. He rises to the occasion. I was thrilled to read this book before its release date as an ARC and I’m so excited for it to be introduced to the public. I wanted to write a review ASAP because I see the anticipation growing here on Goodreads! It is worth the wait, and well worth the anticipation.

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Joseph Fasano is the author of four books of poetry: The Crossing (Cider Press, 2018), Fugue for Other Hands (Cider Press, 2013), which won the 2011 Cider Press Review Book Award; Inheritance (Cider Press, 2014), which has been nominated for the James Laughlin Award; and Vincent (Cider Press, 2015). Fasano’s debut novel The Dark Heart of Every Wild Thing was released in 2020 by Platypus Press to high critical acclaim. Swallows fly in the basilica where Leonardo contemplated death; they fly in and out of Alexandra’s open bedroom windows as she and Leonardo tell their stories. They grow quiet when Alexandra gives birth. They represent hope, new life, renewal.

In 2013, the literary magazine Polutona released a selection of his poems in Russian translation. [17] Selected bibliography [ edit ] Besides that, the emphasis on dreams is too much, and the dialogue is not realistic, with many a conversation that (either flew over my head or) was just pointless (not a literal quote:) ‘how do you know?’ ‘Know what? I don’t’ ‘you don’t’ ‘I don’t think you’re supposed to know. You’re supposed to be in it.’ ‘That’s where we are?’ ‘That’s where we are.’ The novel considers ageless questions about the source of human evil and how society and individuals respond, about personal guilt and forgiveness. And it is about love that looks deep into another’s soul and, with an almost relentless insistence, points out the path to wholeness.

I drew, of course, on personal experience, on my time in Italy, on family legends, on reading, on breathing, on life. And all the while, as those gnarled roots were stirring in the darkness, I felt the terror and the splendor of the inevitable blossoming. This research, for me, was and is deeply enjoyable. I wanted to know more, then more, then more. How did Mussolini’s fascists attempt to “educate” the youth in the years prior to the Second World War? With what kind of wood might a young Calabrese artist make her own charcoal with which to draw her images? What would she see in the waves outside her window? At exactly what depth do fishing crews net their catch in a particular season, off a particular port, in the Tyrrhenian Sea? The Italian text that the author inserts is *far* too much for an English language novel. Rarely is there an intuitive link to the text for someone who doesn’t know Italian. It’s only by coincidence that I have a bunch of Duolingo under my belt, but if I hadn’t, then something as simple as ‘Gli uomini’ doesn’t add depth to the book, it distracts from it. Alexandra Bianchi lives and works in Lunetto, a provincial village in Italy’s Calabria region, which finds itself ravaged by war in the summer of 1945. Leonardo Gemetti, a young man from Lunetto, has been missing for nearly eight years, and all his village knows of him is that he has carried out an atrocity against the Italian partisans in Mussolini’s fallen Republic of Salò. When Alexandra meets a masked figure in the streets of Lunetto, she cannot imagine what she will learn about history and her place in it. He had been broken so many times, first by war and then by the wars within him, but he had prevailed. That’s all there is, to prevail. from The Swallows of Lunetto by Joseph Fasano