Put Out More Flags (Penguin Modern Classics)

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Barbara: “You’ll see…Basil will be covered with medals while your silly old yeomanry are still messing in a Trust House and waiting for your tanks.” Basil’s attempts at war heroism are far less successful than his money-making endeavors. When he flunks an interview for a privileged position in the army (“arranged” by his mother begging a favor of a prominent government official), Basil tries to interest the Ministry of Information into the strategic wisdom of annexing Liberia. When that too fails, he finagles a job in the War Office. But the job is without promise, so Basil executes a plan to persuade a close friend to write material resembling German propaganda—and then betrays his friend to the authorities. However, guilt then compels Basil to effect his friend’s escape to Ireland. But the joys of Put Out More Flags do not reside entirely in its major characters, male and female, drawn at full length; for each of these, there are a dozen vignettes of people and places, sketched, it would seem, in a Single date flag: the data series contains a single “1” corresponding with a specific date on the timeline. All other cells contain zeroes. Used to identify when in the model a single event occurs e.g. f inancial c l ose date flag .

What were the “three rich women” thinking about? The following passages are revealing. First, an exchange between Basil’s sister Barbara Sothill and her husband Freddy, a serving officer:So what? It means that the financial modellling can distinguish between relevant data (that multiplied by “1”) and irrelevant data (that multiplied by “0”) . Useful if your core data runs beyond the period of the financial model. Or if you wish to flex the period of the financial model: change the end date and all your flags update accordingly. Basil is frivolous, mischievous and incorrigible. His antics are also indulged and even grudgingly admired by his closest friends and connections. Basil does well out of the war, up to a point: he unhesitatingly takes advantage of his sister's latently incestuous attraction for him—the scenes in which this attraction surfaces, played out in chilling nursery talk between Basil and Barbara, are among the best expositions of sibling love I've ever encountered—makes money and finds a temporary mistress out of a scheme in which he must find a country billet for three appallingly uncouth évacué children, and earns himself a reputation as a spy-catcher for the War Office by turning in poor Ambrose, now the editor of a literary magazine, as a crypto-fascist.

Access-restricted-item true Addeddate 2022-03-30 09:07:48 Bookplateleaf 0010 Boxid IA40415402 Camera USB PTP Class Camera Collection_set printdisabled External-identifier And true to his principles, whilst the other characters are all trying to scuttle into cosy government sinecures or soft commissions as officers, Alastair volunteers to join the ranks. He endures the miseries of basic training without complaint (although he makes sure his wife Sonia has booked a comfortable nearby hotel for weekends). And in the end he is volunteering for Special Services – though it does seem to be the Boy’s Own Adventure prospects which appeal to him. But he is a character who develops, and he obviously represents what Waugh sees as the remaining strand of decency in upper-class values. Poppet Green is a feather-brained ‘artist’ who follows whatever the latest fad happens to be – which in 1939 was surrealism. Her subjects are: urn:lcp:putoutmoreflags0000waug_n3x5:epub:ce8a7dd9-b5ef-42d3-9ce6-5c65e943bea8 Foldoutcount 0 Identifier putoutmoreflags0000waug_n3x5 Identifier-ark ark:/13960/s2q6wj24336 Invoice 1652 Isbn 9780241261699 They whirl around trying not to get their fingers burnt, but eventually the war calls out to them, and even the reprobate Basil Seal volunteers for a commando posting. What starts out as a comedy ends up with several characters rolling up their sleeves and deciding that they better get along with it.

Many years ago, I started a little handbook which I kept near me when I was reading, in which I added words that I read that I previously didn't know the definition to (or at least not well). This has lain dormant for a while, but this book caused it to be reactivated. A couple of examples:

Ocr tesseract 5.0.0-1-g862e Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 1.0000 Ocr_module_version 0.0.15 Ocr_parameters -l eng Old_pallet IA-NS-2000587 Openlibrary_edition Between 2 dates flag: the data series contains consecutive “ 1”s that start only once a single date is reached and end after another single date is reached. All other cells contain zero. Used to identify periods occurring in between 2 dates e.g. operations period flag. Very few male novelists can draw women well; Waugh is a towering exception. His Angela personifies all the vain (in both senses) smartness of the years between the wars; the waste of her life symbolizes the waste of the old values of upper-class England; her words when Basil tells her, in proposing, that he will be a terrible husband forecast the future of that class and place: "Yes, darling, don't I know it? But you see one can't expect anything to be perfect now. In the old days if there was one thing wrong it spoiled everything; from now on for all our lives, if there's one thing right the day is made."

War has been declared and the the privileged Upper Classes, already feeling the pinch, must now draw in their horns even further, and lay off their domestic servants and reduce the number of butlers, footmen and gardeners. But some of their more enterprising staff have already seen their opportunity war presents, and Barbara Seal’s maids at Malfrey display plenty of get-up-and-go, “Edith and Olive and me have talked it over and we want to go and make aeroplanes”. It is generally and uncritically accepted these days that A Handful of Dust (1934) was the greatest of Evelyn Waugh's novels, fulfilling the early promise of Decline and Fall (1928), and that his career as a writer gradually ran downhill from there. There is some truth to this, but it falsifies the value of a writer whose creative life, unlike that of so many twentieth-century writers, possessed not only a first act but a second and third as well. The first act, whose theme was a dazzling, sardonic irreverence toward the crumbling Empire between the wars, came to an end in 1942; the second, more dourly preoccupied with the Second War and its fatal consequences for the English upper class -- with the striking, farcical exception of The Loved One (1948) -- ended with the completion of The Sword of Honour trilogy in 1962; the third, short and glorious, overlapped the second, including the brilliant Ordeal of Gilbert Pinfold (1957) and the unfinished autobiography, A Little Learning (1964).

The books that comprise the Sword of Honour trilogy were written in the 1950s and 1960s when Evelyn Waugh was able to put World War Two into some kind of perspective. Sword of Honour also happens to be one of Evelyn Waugh's masterpieces. But the owners of the country piles must now 'do their bit' and either have the local militia camped on their lawns with their sprawling tented villages, and the officers made welcome in their drawing rooms, or take in children evacuees despatched from Birmingham and billeted upon them by the local authorities. Meanwhile their husbands seek to use the wheels of patronage and secure an easy wartime occupation. Now, it’s not that Basil’s family is impoverished by any means. On the contrary, his mother provides him a generous allowance for his personal indulgences, but still finds herself frequently paying off his debts when they become over-indulgences. Accordingly, the allowance is suspended. In terms of war heroism, Basil only thinks of achieving this without actually doing anything remotely dangerous or life-threatening—soldierly trench warfare, for example. And so he begins his creative endeavors. Put Out More Flags, the sixth novel by Evelyn Waugh, was first published by Chapman and Hall in 1942. The title comes from the saying of an anonymous Chinese sage, quoted and translated by Lin Yutang in The Importance of Living (1937):Chapter II. Basil goes to stay with his sister at Malfrey, where three delinquent evacuee children are forced onto them. Basil pretends to be a billeting officer and dumps the children onto a retired couple in their beautiful old home. When a few days later they are at their wits end, Basil charges the couple money to take the children elsewhere. Evelyn Waugh's father Arthur was a noted editor and publisher. His only sibling Alec also became a writer of note. In fact, his book “The Loom of Youth” (1917) a novel about his old boarding school Sherborne caused Evelyn to be expelled from there and placed at Lancing College. He said of his time there, “…the whole of English education when I was brought up was to produce prose writers; it was all we were taught, really.” He went on to Hertford College, Oxford, where he read History. When asked if he took up any sports there he quipped, “I drank for Hertford.” With the outbreak of WWII, the opportunistic Basil states his objective early on: "I want to be one of those people one heard about in 1919: the hard-faced men who did well out of the war." For servants, the pay would be better working in a manufacturing industry, but they would also have more personal liberty and be free of the patronising and authoritarian discipline imposed by traditional upper-class employers. They would be free of the stifling deference required by the landed gentry who for generations had regarded themselves as superior beings.