Ernie Ball Not Even Slinky Nickel Wound Electric Guitar Strings - 12-56 Gauge

Product Information

Using the Beefy Slinky set with a 56 swapped out for the low-E (or even a 60!) feels fantastic. Gibson Scale – Not Even Slinky (12-56) C standard is two whole steps down from E standard tuning. Like all of the other “standard” tunings, your chord voicings remain the same, as well as your scale patterns. It’s just LOW. I like to use this set for heavy rhythm playing, mostly. For some people, these strings will seem a little too heavy for Drop C tuning, but that’s exactly why I like them! The 12-56 gauge is great for keeping the lower strings nice and tight. For me, it’s perfect for chugging and riffing! Maintains slinkiness on the high strings, and beefs up the feel on the lower strings, especially when dropped. Eb Standard Fender Scale – Skinny Top / Heavy Bottom (10-52) For modern doom metal, this seems to be the most popular option when it comes to tunings. Drop C is half a step down from D Standard. So the tuning is the same, but you just drop the 6th string down to C

Ernie Ball Not Even Slinky – Northwest Guitars

Over the past month or so we have talked about Doom Metal extensively. And to be fair, we can probably continue to talk about it for a long time. Doom Metal is one of the only genres of metal that really hasn’t changed too much over the years. Translates well from E Standard and Drop D all the way down to Eb Standard and Drop C#. D Standard and Drop C Power Slinky Bass (55-110) If you are just getting into Doom/Stoner/Sludge the Drop D tuning is where it’s at! Especially if you have played in Standard Tuning for a while. The low string being tuned down takes a little while to get used to. But it is definitely worth exploring! I noticed that my usually very corrosive sweat seemed to have no effect on the Paradigm strings. I usually change strings every two weeks, because they rust and corrode. These lasted me over a month, giving me twice the time I get from a regular set of strings.I've had the exact same problem with the G string (which is actually an Eb in C tuning). The tension seemed simply too tight, the sustain extremely low, intonation difficult to adjust properly for some reason. When playing with higher gain, the sound coming out was awful. I swapped the string out with a 20 gauge plain one - problem solved, sounds much better, and the tension seems proper compared to the rest of the strings. I'm still wondering why the Ernie Ball guys decided to include such a heavy plain string in the set when it's close to being, in my opinion, unusable. That said, EB strings are still my favorite. This is totally up to your playing style, and the sound that you are going for. Personally, I like to play in different tunings because sometimes the sound will expand on a riff or idea that I have in mind. Or better yet, sometimes a tuning can help you come up with completely alien ideas! This gauge is perfect for people looking to be able to chug on the heavier strings in Drop C, but also retain some elasticity in the treble strings for solos. This is a slightly lighter gauge, and that makes bends easier. Some people may find the lower strings a little too “floppy” for their tastes. Especially with a shorter scale guitar, like a Les Paul. So tuning down this far might sound really cool, but you need to prepare! Your strings for Drop C are going to be much different than the ones that you use for standard. They definitely need to be a heavier gauge to compensate since you’re going down. Lighter gauges used for standard tuning will probably be pretty floppy. A great middle-ground for size vs. tension. Adding a 60 on the low-E string can also provide even more “oomph” to the low end. Drop B Fender Scale – Single Strings (11, 15, 20, 36, 48, 60)

Not Even Slinky Nickel Wound Electric Guitar Ernie Ball Not Even Slinky Nickel Wound Electric Guitar

As far as the notes go, this one is just a little different. This is not just C standard with a dropped string. Drop B is a tuning all it’s own: I have used these strings for Drop C tuning on both types of scale lengths, and I find that this set works great for ANY scale length. The tension is near perfect for me, and they hold tune wonderfully with all scale lengths (I use them on my baritone also). Scales work the same way that they would work in standard tuning. You should use this tuning if you are familiar to chord voicings in standard, as it is identical…just lower in pitch. NYXL string sets are made to be more stable, and brighter than other string brands. I have tried them out before, and I actually agree with the claims! The NYXL sets that I have tried have taken less time to break in, and the stay in tune longer. The secret is in the way the strings are wound.But every now and then someone comes out with what seems like an alternative, and it's worth a try, which is the spirit by which I bought this set, tipped off in my uncertainty by the fact that its manufacturer has a widely renowned for its quality products. We will take an in-depth look at each tuning, and describe how it works. That way you can decide for yourself which one is the tuning for you. Take note, that the lower you go, you will have to change your string gauge. If the change in strings is drastic then you may need to setup your guitar. I like to look at tunings like a piece of gear. If you are looking for a new sound, or a new way of writing songs, then sometimes a different guitar pedalmight be the key to finding your new voice. I look at different tunings as a tool, and Drop C can definitely change the way you write a riff… or even a whole album! Spark Amp – The amp itself is brilliant, coming with a bunch of great tones and plenty of power with its 50W speaker. But the real magic happens when it is paired with your phone, opening up access to thousands of effects and tones that you can customize to your exact specifications. And best of all? It’s not even that expensive either. Preferable for getting a heavier, more Strat-like tension on a Gibson Scale instrument. Drop D Both Scales – Skinny Top / Heavy Bottom (10-52)

Doom Metal Tunings: The Ultimate Guide to Going The Top 5 Doom Metal Tunings: The Ultimate Guide to Going

Helpful for retaining proper tension with a shorter scale. Drop C Fender Scale – Beefy Slinky (11-54) + 56 Likewise, if you like a certain band and you are inspired by their sound, then try out the tunings that they use. I didn’t have any tuning issues with the DR DDT set, and they sounded great. I used them on a short scale guitar, or “Gibson Scale”. These held nearly perfect tension across the board and were still great for playing solos. In fact, these didn’t FEEL as heavy as they are. Which is a very good thing! Can't yet say how long they'll keep their fresh zing, as I've just installed them, but given how my experience with these failed to err on the positive side of things, I honestly don't care much about how long they'll last; given how ruined is the E-1st, the shortest the rest of the set will last, the best it is for me, all things considered. The 11-52 gauge set is another versatile option when looking for strings for Drop C tuning. When it comes to scale length, I personally think these work best with “Fender Scale” or 25.5”. But I have also tried them on a Les Paul before and I was pleasantly surprised. With any scale length, this set just works.Soundwise, the set may be alright to most, though I miss that touch of smooth elegance that I associate to the subtly rolled-off highs of the main competitor's strings: they're bright, which is what most want, though I'm used to not being among them most, and I'd like them a tad less bright then they are. D standard is used a ton in Metal music, and is probably most popular for being used by Metallica in the songs ” Sad But True” and “The Thing That Should Not Be”. Both of these songs are perfect examples of going slow and low. While tuning lower definitely makes things sound a little heavier, alternate tunings are more than just that. Different tunings can be a “secret weapon” for your band. Utilizing different tunings can change the way you write a song or riff. I know if I am in a rut, I usually try out a different tuning to see if it opens any new doors to my creativity. Nine times out of ten, it helps me come up with a new idea!