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Charlie and Lola: My Completely Best Story Collection

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The first book, I Will Never Not Ever Eat a Tomato (US title, later printing with Greenaway Medal seal, 2000)

I Will Not Ever Never Eat a Tomato (Charlie and Lola) I Will Not Ever Never Eat a Tomato (Charlie and Lola)

They look just like carrots to me,” says Lola.“But how can they be carrots,” I say. “Carrots don’t grow on Jupiter.”on television we have to be careful to show that Lola is eating bits of dried banana, instead of salt and vinegar crisps, because the BBC have strict guidelines on children and eating. I don’t think people need to be so worried, to be honest […] Children aren’t stupid.'

Lauren Child Books | Waterstones Lauren Child Books | Waterstones

Lauren Child is a multi-award-winning, bestselling writer and artist whose books are known and loved the world over. She is the creator of characters including Clarice Bean, Ruby Redfort and Charlie and Lola. Nonetheless, her style is unique - her illustrations (like her characters) are quirky, mischievous and multi-faceted, combining bright colours and bold, chunky outlines with photographic collages and ‘cut out’ images. The endearing quality of the illustrations is enhanced by Child’s perceptive detail, particularly with regard to facial expressions. The result - a juxtaposition of traditional children’s illustrations and contemporary artistic styles - is delightful and captivating for both young and old. Lauren Child's humorous illustrations contain many different mediums including magazine cuttings, collage, material and photography as well as traditional watercolours. As well as being author of several highly successful books, she is the illustrator of the Definitely Daisy series by Jenny Oldfield.Charlie and Lola is the charming and heart-warming pre-school series created by Lauren Child. Using quirky illustrations and hilarious text, these books make school, bed and eating your veg, look not so bad after all! Her manifesto is launched the week after a six-year project from the Centre for Literacy in Primary Education found that using picture books in primary schools, and making drawing part of the learning process, improves children’s writing and reading skills. The Power of Pictures project saw over 7,000 children and 318 schools across the UK take part in a course designed to help teachers use picture books, understand the process that goes into developing picture books and foster relationships between authors and schools. The project resulted in higher reading scores, and higher writing self-efficacy and writing creativity scores for children in the programme. We Honestly Can Look After Your Dog, Whoops! But It Wasn't Me, My Wobbly Tooth Must Not Ever Never Fall Out, I've Won, No I've Won, No I've Won and Snow Is My Favourite and My Best She studied Art at Manchester Polytechnic and London Art School, after which she worked in a variety of jobs, including assistant to Damien Hirst. She also started her own company, 'Chandeliers for the People', making exotic lampshades.

Charlie and Lola - Penguin Books UK Charlie and Lola - Penguin Books UK

Charlie and Lola creator Lauren Child is calling for attitudes towards children’s books to change, criticising the “lazy” assumption that “creating work with children in mind is easier or less demanding”. Lola is really, really excited about looking after the school guinea pig, Bert. Lola loves playing with Bert, and she and Charlie even build him his very own guinea-pig run! But when Bert goes missing, Lola soon discovers that she knows something about Bert that no one else has even thought of . . .I have this little sister Lola.She is small and very funny.Sometimes I have to keep an eye on her.Sometimes Mum and Dad ask me to give her her dinner.This is a hard job because she is a very fussy eater.' ( I Will Not Ever, Never Eat A Tomato) Charlie has this little sister Lola. Today they are visiting London on a school trip. Lola says, "London is extremely huge and very BUSY...I can't wait!" The United Kingdom's international organisation for cultural relations and educational opportunities.

BBC iPlayer - Charlie and Lola

In Child’s series, the focus is completely on the endearing sibling relationship between seven-year-old Charlie and his sister Lola, who is nearly five. As Charlie tells us: This really very good Charlie and Lola book includes two wintery stories: Snow is My Favourite and My Best and I Really Need Actual Ice Skates. This wonderful book is perfect for fans of Charlie and Lola, and for cold winter bedtimes. We Honestly Can Look After Your Dog (TV episode title: We Do Promise Honestly We Can Look After Your Dog) Charlie is Lola’s big brother, and it is a BIG job being Lola’s big brother. She doesn’t want to eat her vegetables, or go to school, or to bed. Lola is very good at coming up with reasons for why she shouldn’t have to do any of these things, Charlie is even better at coming up with fun and imaginative reasons why she should. My Wobbly Tooth Must Not Ever Never Fall Out (TV episode title: I Do Not Ever Never Want My Wobbly Tooth to Fall Out)The stories explore the way in which Charlie and Lola use their imaginations and creativity to deal with these everyday dilemmas, and their sibling relationship is founded on the way they help each other to do this. Thus, the absence of adult presence enables Child to highlight this element of their relationship. In I Will Not Ever, Never Eat A Tomato, Charlie use his imagination to persuade Lola to eat her vegetables: Sometimes nothing beats a classic. Here'es a list of classic books to share with your toddler or younger child, some of which you may have enjoyed when you were little. And I said, “Oh you think these are carrots. These are not carrots. They are orange twiglets from Jupiter.” The Princess and the Pea; The Secret Garden; Who Wants to be a Poodle? I don't!; Maude, the Not-So-Noticeable Shrimpton; Clarice Bean; Ruby Redfort There is a common, and lazy, assumption that creating work with children in mind is easier or less demanding, and that a writer or artist would approach it with a lesser degree of seriousness or sincerity than when creating for an adult audience. I do not believe that to be true,” writes Child in the manifesto.

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