Cleopatra and Frankenstein: ‘Move over Sally Rooney: this is the hottest new book’ - Sunday Times

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Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it's Cleo's best friend struggling to embrace his gender queerness in the wake of Cleo's marriage, or Frank's financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last. You have to be okay with unlikeable characters to read this book. You have to be willing to go on a journey that doesn't necessarily leave our protagonists shining and shimmering in the end. And I would've appreciated a bit more time to have the characters really dig into their issues, to grapple with the fact that the world is much bigger than just the two of them; though in some ways I think that's part of the point Mellors is trying to make. If Manhattan were a drug, which one would it be? This is one of the profound questions raised by reading Coco Mellors’ tantalizing but blithe debut novel, “ Cleopatra and Frankenstein,” whose Manhattanites run on stimulants and drown in alcohol. Hers is a city of flash and fluttering movement, as if deliberately designed to distract its inhabitants (or those Mellors chooses to depict) from seeing that, beneath the surface, there’s no there there. More than anything, Mellors shows how you can still love and care for someone, yet not be good for them. Frank and Cleo realize that their age gap, their experiences with broken families and their lifestyles ultimately make them less than compatible. Sometimes, loving another person means separating yourself from them to give them room to grow.

I liked the writing style. It felt fresh and current but it was also full of almost surprising drops of wisdom. The story, though bleak in places, was full of tenderness and hope and I particularly enjoyed the ending. Cleopatra and Frankenstein Book Review: Characters I found Cleopatra and Frankenstein to be a great debut by Coco Mellors and I’m excited to read what she writes next. You may also be interested in: Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love. yep, too much wit, swooning, tidbits, themes, dialogue, life quandaries, perplexing showy sentences, and cheesiness,…… PDF / EPUB File Name: Cleopatra_and_Frankenstein_-_Coco_Mellors.pdf, Cleopatra_and_Frankenstein_-_Coco_Mellors.epubCleopatra and Frankenstein” is a compelling read for reasons beyond the core dynamic. The narration alternates between side characters’ perspectives, giving a chance for readers to construct their own account of the central romance. Some such narrators include Zoe, Frank’s sister; Santiago, a mutual friend whose party led to Frank and Cleo’s meet-cute; Anders, a former Scandinavian model and Frank’s best friend; Quentin, Cleo’s best friend; and Eleanor, one of Frank’s employees at the advertising firm. A more fundamental concern is how easy it would be to imagine this pre-recession Gotham universe as a Netflix series. The city’s surfaces are attended to in cinematic detail; emotional connective tissue often consists of characters telling their friends about their awful childhoods and narrating character traits direct to camera. (A recent Times of London profile, after breathlessly proclaiming, “Move over Sally Rooney,” noted that Mellors is “already in discussion with several streamers.”)

When I first started reading Cleopatra and Frankenstein I wasn’t sure I was going to like it. I really struggled to get into it at the beginning. I think this was mostly due to not warming to the main characters. It all just felt a bit superficial and pretentious but the more I read, I think that was actually the point. update: dropping this to 4.5 because there is one thing that bugs me too much to leave this at a perfect 5. but i still love you eleanor!!!Rooney has this way of bothering me. I want her characters to figure it out because for some weird reason I am invested in them. Neither Cleo nor Frank inspired those same feelings in me. From their first ludicrous encounter to the end, I found the pair simply irritating, nothing more. And all of the side characters serve to hammer home the book's whole point about how a relationship can affect those around the couple. None of them felt real or believable. Cleo, a 24-year-old artist from Britain, fled to New York City to start anew and explore her artistic pursuits. As her student visa nears expiration, she meets Frank, a self-made man twenty years her senior, who leads a life of luxury that is entirely foreign to Cleo. This book caught me by surprise. I wouldn't consider myself a fan of contemporary relationship novels, but this one - I loved. It's the latest in a string of literary fiction pieces that I've read that feel aspirational to that title. It's giving aggressive general fiction. This is the only part of this book I genuinely and actively disliked. Fortunately or unfortunately, it was nowhere close to enough to get me to shut up about it.

New York City at the start of the 21st-century – pre-financial crisis, pre-Trump, pre-Covid – is captured with near-devotional lushness in this nostalgic debut. It’s an urban playground that struggling painter Cleo, 24 years old and stylishly British, is on the brink of being exiled from, her student visa due to expire in mere months, when she meets Frank, a fortysomething ad agency owner with a nice line in elevator chitchat. They wed on a whim to calamitous effect on both sides. In terms of depth, this novel is more Jay McInerney than Hanya Yanagihara, but Mellors proves herself a poetic chronicler of inky gloom as well as twinkly surfaces. Unattached: Essays on Singlehood as I find it almost impossible to believe that any reviewer could write one with a straight face….. Cleo and Frank run head-first into a romance that neither of them can quite keep up with. It reshapes their lives and the lives of those around them, whether that’s Cleo's best friend struggling to embrace his gender identity in the wake of her marriage, or Frank's financially dependent sister arranging sugar daddy dates after being cut off. Ultimately, this chance meeting between two strangers outside of a New Year’s Eve party changes everything, for better or worse. They meet cute, and begin spouting off impossibly clever lines: all those sharp, witty retorts that you and I only think of twenty minutes after the fact.Cleopatra and Frankenstein is definitely a character driven book rather than one with a fast paced plot. Neither Cleo nor Frank are particularly likeable characters and I found them to be quite shallow and pretentious, especially at the beginning. I squint into the icy sunlight. The path sparkles with a thin layer of frost. Everything is hard and bright, like I’m looking from inside a diamond”. Two parts contentment. One part desire. It seemed a good formula for living, though one she had not mastered yet. Everyone Frank knew was the greatest ‘something’ in the world. His half-sister Zoe was the greatest actor, his best friend Anders was the greatest art director and amateur soccer player, and Cleo, well, Cleo was the most talented painter, the deepest thinker, the most beautiful woman on earth. Why? Because Frank wouldn’t have married anyone else”.

Frank, though he is a workaholic alcoholic with a younger wife and thereby also a cliché, somehow pulls off the grand accomplishment of being consistently intriguing to read about, as does his very annoying sister Zoë and her rarely present friend Audrey.

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There were very many characters in this book that I didn't like, but also I wasn't supposed to, but also even when I'm not supposed to I usually do anyway, often more than when I AM supposed to. I found it hard to relate to arty and vulnerable Cleo and the rich and impulsive Frank. However as the story progressed I began to empathise with them both. I was infuriated by them one moment and then rooted for them the next. while this seems like the classic ‘young twenty-something woman starts dating the older richer man’ story (which we all know and love), mellors’ unique narrative style offers a fresh new take. cleo and frank’s relationship is the strand which runs through everyone else’s lives, their tumultuous up and downs bleeding into the lives of their circle of friends and family. in essence it is a love story, albeit told through the eyes of others. There was the subterranean Oyster Bar ….served with dialogue about childhood trauma, masturbation and a four-in-a-half year old who had her first orgasm.