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As am I. Representation always matters, whether it's in the Halls of Congress or at your local independent theater. Queer women deserve to have their queer female sex represented on screen, without it devolving into typical pornographic tropes: shaved vaginas, sorority sisters, giant jiggly boobs, foot-long dildos, scissoring, a well-hung neighbor guy who just "pops in" for a threesome, etc. There's absolutely nothing wrong with any of these erotic ingredients, per se, but it's formulaic and not particularly representational of most queer sex. The Nazis classified prisoners in concentration camps into groups according to the reason for their imprisonment. By 1938, these groups were identified with various colored badges worn on camp uniforms. Men imprisoned for allegedly violating Paragraph 175 had to wear a pink triangle. The badge identified them as “homosexual” ( homosexuell ) according to the classification system. ThisSwedish / Swiss / German horror film was directed by sexploitation pioneer Joseph W. Sarno, who had a fruitful adult film career under various pseudonyms, working with Annie Sprinkle, Ron Jeremy, and Harry Reems (“Deep Throat”). A women’s cult resurrects their vampire queen, using the willing young vessel played by Swedish actress Marie Forså. Perhaps it’s trite to say that “representation matters,” but some things are cliché because they’re true. The first time I ever saw lesbians onscreen was when my high school’s Gay Bisexual Straight Alliance played part of the first scene of the original L Word series. (The “sweet little figs” scene, in case you were wondering—the girls who get it get it.) Even so, it wasn’t until years later, when I first saw Blue Is the Warmest Color , that I actually found a queer story that reminded me of my own. This is common. Contrary to what you might guess, many prison relationships aren’t about sex-just like most relationships outside of prison.”
Like this article? Sign up to our newsletter to get more articles like this delivered straight to your inbox. The Nazis believed that German women had a special task to perform: motherhood. According to Nazi logic, lesbians were women and should thus be mothers. They had a responsibility to give birth to racially pure Germans, called “ Aryans .” During the Weimar Republic , German society experienced complex social, political, and cultural transformations. On the one hand, the Weimar Republic was defined by political turmoil and violence. It was also a time of economic distress. On the other hand, Germans had greater political and social freedoms. The atmosphere gave rise to artistic movements, an expanded press, and increasingly visible alternative cultures. The first teaser for Lars von Trier‘s buzzy erotic drama Nymphomaniac has been released online, and it’s branded with the auteur’s distinctive style of yellow-tinted scenery and an unvarnished, at times unsettling, naturalism that hooks you even though you might want to look away. Directed by Michael Almereyda (“Twister”) and starring Elina Löwensohn as Nadja and Peter Fonda as Van Helsing, this ’90s arthouse horror features a David Lynch cameo as a morgue attendant. Lynch also lends his name as executive producer.
The Hunger (1983)
Deliciously dirty, 'first time' Lesbian erotica; a sexually detailed story of skilful seduction and sweet submission. Sarah, a shy young virgin-girl has always lived a protected life at home with her loving parents until the day came when they decided that it was time for her to attend college, meet other girls her same age, become a bit more worldly wise, and also get up to speed on her education. Over the course of the 1930s, Nazi actions targeting male homosexuality became more systematically oppressive. In 1935, the Nazi regime reformed Paragraph 175. The statute now criminalized any and all sexual intimacy between men. The Nazis also increased the severity of the punishment for these crimes. They instructed prosecutors to argue for harsh sentences in court. Judges often complied. I also love the way Sebastián chose to shoot it. It was storyboarded. All the wetness, the spitting in the mouth, the pubic hair, the vaginas, but also leaving some of it to the audience to imagine. Where is the other woman’s mouth, where are her fingers? It was important for him to focus on our faces to really capture that desire. There’s something very spiritual about their sex. I’m really proud of it." Based on the French novella “Carmilla,” which would also inspire Hammer Films’ Karnstein Trilogy a decade later, “Blood and Roses” is notable for launching Roger Vadim’s fruitful collaboration with cinematographer Claude Renoir, who would later shoot Vadim’s cult classic, “Barbarella.” StarringMel Ferrer as Leopoldo De Karnstein and Elsa Martinelli as Georgia Monteverdi. In addition, there was no specific law under which lesbians were prosecuted. Thus, there is not always an obvious place to look for criminal records pertaining to their arrests and detentions. For example, lesbians appear in court cases and police files relating to political opposition or asocial behavior. However, these are scattered across many files and in various archives. Scholars hoping to learn about lesbians’ stories are painstakingly combing through these files.
Amanda Knox says women in her prison sought out each other’s company — and sex — in desperate bids for human connection. Picture: AP In lesbian prisoners’ paperwork, camp authorities usually listed a racial, political, social, or criminal reason as the primary cause for their arrest. In a few cases, the authorities also noted their sexuality. Her husband reacted surprisingly well too, suggesting that they enrol in therapy to help both of them exit their long-standing relationship. I took this as my cue to make a commitment and said I would move to the suburbs to be with her and her three children, once her husband had moved out.Mexican cult horror directorJuan López Moctezuma castCristina Ferrare, later a top TV host, as a bisexual artist who visits Mexico with a bloodthirsty mission. The film stars John Carradine as her estranged vampire father, and features cinematography byMiguel Garzón (“Highway Patrolman,”“Red Dawn”). Because there was no single law or policy that applied to sexual relations between women, lesbians had a wide range of experiences in Nazi Germany. These experiences were not solely determined by their sexuality. Rather, other factors shaped lesbians’ lives during the Nazi era. Among them were supposed “racial” identity, political attitudes, social class, and gender norms. Based on these factors as well as others, some lesbians (especially those who were working class) were imprisoned or sent to concentration camps. In these instances, they were classified as political prisoners or asocials. Jewish lesbians largely faced Nazi persecution and mass murder as Jews. In most cases, their sexuality was a secondary factor. The Germans and their collaborators murdered an unknown number of Jewish lesbians during World War II. Before the Nazis: Lesbians in the Weimar Republic Some women engaged in sexual relations with their fellow female prisoners. It is important to note that such relations do not always fit neatly within the category of “lesbianism.” This is because not all women who engaged in same-sex relations were lesbians. Some women developed same-sex relationships and later described them as a source of comfort in the camps. Others even saw them as necessary for survival.
Before, during, and after the Nazi regime, men accused of homosexuality were prosecuted under Paragraph 175 of the German criminal code. This statute criminalized sexual relations between men. It did not apply to sexual relations between women. Nonetheless, beginning in 1933, the Nazi regime harassed and destroyed lesbian communities and networks that had developed during the Weimar Republic (1918–1933). This created a climate of restriction and fear for many lesbians. Prolific Spanish filmmakerJesús Franco was known for stylish exploitation films, and cast his favorite leading lady Soledad Miranda (billed as Susann Korda)in what would be the fourth of eight collaborations between the two. Franco transposed Bram Stoker’s short story “Dracula’s Guest” to 1970s Istanbul, where Dracula’s heir sets her sights on American lawyer Linda (Ewa Strömberg). Public discussions of sexuality had occurred in Germany since the late 19th century. However, the social atmosphere during the Weimar Republic created more space for these conversations. There were discussions about homosexuality at the time. 1 Physician and sex researcher Magnus Hirschfeld and others organized gay and lesbian “friendship leagues” ( Freundschaftsverbände ), which also included heterosexual members. These groups advocated for the decriminalization of sexual relations between men. In this endeavor, they found allies on the political left and center. Among the supporters were:But even in cases when lesbians were arrested and sent to concentration camps, the records can be hard to find. One of the greatest challenges is that lesbians were rarely identified as such in official records from the Nazi era. To know that I could finally come clean to my worrisome friends felt liberating beyond belief. I didn’t care about sacrificing my youth to move to outer London with a swarm of forty-somethings. All I wanted was to be with her full-time, and for it to be out in the open that we were together. The relationships inmates establish with each other are treated as nothing more than kinky lies to be ashamed of upon returning to the real world,” she writes. “But they’re not. Various right-wing and centrist political groups, as well as mainstream religious organizations, sought to counter this aspect of Weimar culture by promoting their own version of German culture. This version was rooted in classical music and literature, religion, and the family. In some cases, these groups blamed others for corrupting German culture. They blamed, for example, Jews, Communists, and Americans. Nazi Attitudes towards Homosexuality It is difficult to know what role lesbians’ sexuality played in their detention. Sometimes their arrest had little or nothing to do with the fact that they were lesbians. At other times, their sexuality may have played a role. This was especially the case regarding arrests prompted by denunciations. Denunciations frequently affected people considered social outsiders. Denunciations of Lesbians
There were German lesbians who took the risk of resisting the Nazi state for political and personal reasons. Some continued to seek out underground meeting places, especially in major cities. There were lesbians who joined underground anti-Nazi resistance groups or helped hide Jews. Arrest and Detention of Lesbians in Concentration Camps Another difficulty is that very few lesbians shared testimonies about their experiences during this time. This is partially because the topic of sexual relations between women remained taboo for decades after the Nazi era. First-hand testimonies, memoirs, and diaries of former prisoners reveal that prisoners had sexual encounters with each other in concentration camps. According to these sources, sexual encounters ranged from consensual intimacies to prostitution to brutal sexual assault. Both heterosexual and same-sex relationships took place in the camps.
High Art (1998)
The short answer is that when lesbians were arrested, they were arrested as members of other groups: Knox admits that prison relationships can be about sex. But mostly, she writes, it’s about human connection.
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