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Mutations

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Mutations is filled with dozens of tiny little Beckisms, choices only he would make, be it contrasting a wheezing harmonica with sci-fi synth wiggles on “Cold Brains,” undercutting the Beatles-like reverie of “We Live Again” with dread-inducing negative space or spicing his Brazilian-music homage “Tropicalia” with post-modern lyrics about isolation and a noisy sound collage. He lodged alt-rock radio hits in an era where that still mattered, performed at the Grammys, losing Album Of The Year to Celine Dion. Can't really work out what any of these songs are about but I like his singing style and his interesting lyrics.

The low end seems to be the added component, lending significant weight to an already excellent recording. However, when Geffen executives heard the album, they reneged on their agreement and released the record. But after hearing Mutations, Geffen pulled rank and insisted on releasing the album, marketing it as a detour for hardcore Beck fans while he stayed hard at work on the “real” follow-up to Odelay. Why are ruminations on why guilt is both comforting and self-defeating any more or less valid than riffing on pop culture over the sickest drum break you can afford to sample? But honestly, this is probably because of the album highlight “Nobody’s Fault But My Own,” which finds Beck beating himself up over unspecified mistakes over a sea of psychedelic strings that could have been sampled from Rubber Soul.genre this would fall into , maybe blues , folk perhaps some of it , I normally find genres a bit confusing perhaps Beck has one all his own, although his albums all seem different you can tell he's put a lot of work into this. Mutations would prove that Beck could do sincerity, or at least Sincerity, just fine thank you very much, and the woozy, operatic country rock he summons here in many ways feels like a blueprint that Mike Mogis and Conor Oberst would follow with Bright Eyes, where the slowly unraveling ballad “Static,” tucked all the way at the end of the album, feels like Beck’s big budget answer to the delicate balladry Cat Power and Elliott Smith were getting up to, declaring “it’s a perfect day to lock yourself inside” as the guitar solo shrugs and the keyboard lines evaporates.

Before beginning the recording sessions, Beck gained permission from the major label he was under contract with, Geffen, to release Mutations on the small indie label Bong Load Records.Beck, IMO, is a musical and lyrical genius and not only are his songs parts of a greater whole on each album, each album is a part of the greater overall collection. I get the sense that amongst critics and fans, Mutations is often considered Beck’s dress rehearsal for his 2002 heartbreaker Sea Change, trying sadness on for size before later going Full Desolation. It was a startling turn at the time, the effortlessly cool guy from “Where It’s At” asking aloud, “Pointing a finger, throw the book at you/ And who would want to dance with you? Beck appeared on Saturday Night Live in promotion of Mutations, performing "Tropicalia" and "Nobody's Fault but My Own". Of course, no one stays in their imperial period forever, and one can only imagine how Beck felt, watching as the wildly free-flowing sound he and the Dust Brothers created on Odelay was immediately turned into frat-boy fodder by the likes of Smash Mouth and Sugar Ray.

The original plan was that Bong Load Records, the tiny Los Angeles label that first released Beck’s breakout “Loser” would also release Mutations. The gulf between those two says a lot about Beck (and also about what some critics like to champion, but that’s a discussion for another day), but its also what makes him so hard to pin down.The production style was very different from that of Beck's previous album Odelay, which was heavily influenced by hip hop music and contained many samples. I've recently set my phone to shuffle the entire Beck collection and while "Mutations" is not my favorite Beck album all the songs fit in seamlessly with the overall experience.

Every time I put this album on I definitely here something new, it seems to possess some sought of narrative. But while Beck is a scholar of music, he’s never been content with merely reproducing his record collection. The whole album feels slightly melancholy, which is no bad thing because it makes it more atmospheric, I gave it five stars because although it sounds derivative I think the production makes it original and unusual. In fact, one of the nifty tricks of Mutations is how it sounds simple upon the first listen, then reveals more psychedelic layers upon each play.After the tour for Odelay wound down, Beck recruited Nigel Godrich for his major work after helming Radiohead’s OK Computer, the other huge era-defining alt-rock album of the late ’90s. Beck Hansen has had one of the most interesting and singular career arcs of any musician of his generation, and his sixth album, Mutations, marked a turning point in a catalog filled with turning points. Beck and his crack live band cut a song a day for 14 days, for an off-the-cuff feel that Godrich would soak in his trademark antiseptic, Kubrikian sheen.

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