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a b c Borggreen, G. (2013). "Cute and Cool in Contemporary Japanese Visual Arts". The Copenhagen Journal of Asian Studies. 29 (1): 39–60. doi: 10.22439/cjas.v29i1.4020. Peirson-Smith, A. (2015). Hey sister, can I borrow your style?: a study of the trans-cultural, trans-textual flows of the Gothic Lolita trend in Asia and beyond (Thesis). City University of Hong Kong. Coombes, K. (2016). Consuming Hello Kitty: Saccharide Cuteness in Japanese Society (Thesis). Wellesley College. Lolita Nylon Advertisements". Archived from the original on 10 July 2016 . Retrieved 6 August 2017. a b Kawamura, Yuniya (2012). "The Globalization of Japanese Subcultures and Fashion: Future Possibilities and Limitations". Fashioning Japanese Subcultures. pp.126–135. doi: 10.2752/9781474235327/KAWAMURA0015. ISBN 9781474235327.

Robinson, K. (2014). Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States (Thesis). Georgia State University. Another common confusion is between the Lolita fashion style and cosplay. [133] Although both spread from Japan, they are different and should be perceived as independent from each other; [134] one is a fashion style while the other is role-play, with clothing and accessory being used to play a character. This does not exclude that there may be some overlap between members of the groups. [135] This can be seen at anime conventions such as the convention in Götenborg in which cosplay and Japanese fashion is mixed. [136] For some Lolitas, it is insulting if people label their outfit as a costume. [10] [137] Gallery [ edit ] a b Koma, K. (2013). "Kawaii as Represented in Scientific Research: The Possibilities of Kawaii Cultural Studies". Hemispheres, Studies on Cultures and Societies (28): 103–117. Archived from the original on 12 August 2017 . Retrieved 10 February 2018. Pretty in Pink". The Bold Italic Editors. 8 April 2010. Archived from the original on 8 August 2017 . Retrieved 9 August 2017. a b Hardy Bernal, Kathryn A. (2019). Lolita Latina: an examination of Gothic and Lolita Style in the Mexican environment: a thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Visual and Material Culture, College of Creative Arts, Massey University, Wellington, New Zealand (Thesis). Massey University. Archived from the original on 17 May 2021 . Retrieved 18 May 2021.Hardy Bernal, Kathryn (2016). "Performing Lolita: The Japanese Gothic and Lolita Subculture and Constructing Identity through Virtual Space". Journal of Asia-Pacific Pop Culture. 1 (1): 79–102. doi: 10.5325/jasiapacipopcult.1.1.0079. JSTOR 10.5325/jasiapacipopcult.1.1.0079. S2CID 194483476. Berry, B. (2017). Ethnographic Comparison of a Niche Fashion Group, Lolita (Thesis). Florida Atlantic University. Many of the very early lolitas in the 1990s hand-made most of their clothing, and were inspired by the Dolly Kei movement of the previous decade. [31] Because of the diffusion of fashion magazines people were able to use lolita patterns to make their own clothing. [ citation needed] Another way to own lolita was to buy it second-hand. [104] The do-it-yourself behaviour can be seen more frequently by people who cannot afford the expensive brands. [105]

Sugar Coated – A short documentary about Lolita Fashion, archived from the original on 8 March 2021 , retrieved 3 May 2020 a b c d e f g Atkinson, Leia (2015). Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion (Thesis). University of Ottawa. doi: 10.20381/ruor-4249. hdl: 10393/32560.

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What the Hell has Happened to Tokyo's Fashion Subcultures?". Dazed. 4 December 2015. Archived from the original on 13 June 2018 . Retrieved 13 June 2018. Hardy Bernal, Kathryn A. (2007). Kamikaze Girls and Loli-Goths. Fashion in Fiction Conference, University of Technology, Sydney, Australia. Archived from the original on 11 August 2017 . Retrieved 11 February 2018. European culture has influenced Lolita fashion. The book Alice in Wonderland (1865), [49] [50] written by Lewis Carroll, [51] [52] has inspired many different brands and magazines, [34] such as Alice Deco. [51] The reason that the character Alice was a source of inspiration for Lolita fashion is that she was an ideal icon for the Shōjo (shoujo)-image, [34] [53] meaning an image of eternal innocence and beauty. [54] The first complete translation of the book was published by Maruyama Eikon in 1910, translated under the title Ai-chan No Yume Monogatari (Fantastic stories of Ai). [55] Another figure from Rococo that served as a source of inspiration was Marie Antoinette; [56] a manga The Rose of Versailles (Lady Oscar) based on her court, was created in 1979. Tidwell, Christy (2010). "Street and Youth Fashion in Japan". East Asia. Vol.6. pp.398–403. doi: 10.2752/BEWDF/EDch6063. ISBN 9781847888556. Fashion As Resistance: The Everyday Rebellion". HuffPost. 16 February 2017. Archived from the original on 30 November 2020 . Retrieved 3 May 2020.

Classic Lolitas are the most mature looking of the three popular subcategories and take after the Victorian era’s historic fashion. These skirts and dresses tend to be more streamlined, and are usually the longest of the three with most ending at the mid-calf. Printed floral skirts, stripes, and fleur de lis are all common patterns found in the Classic Lolita style.

Many lolitas consider being photographed without permission to be rude and disrespectful; [109] [110] [111] however, some rules differ or overlap in different parts of this community. [112] Lolitas often host meetings in public spaces such as parks, restaurants, cafes, shopping malls, public events, and festivals. [113] Some meetings take place at members' homes, and often have custom house rules (e.g. each member must bring their own cupcake to the meeting). [114] Lolita meetings are thus a social aspect of the lolita fashion community, serving as an opportunity for members to meet one another. [ citation needed] Many lolitas also used to use Livejournal to communicate, but many have since switched to Facebook groups. [115] Terminology [ edit ] De opkomst van de mangacultuur in België. Een subcultuuronderzoek., Lora-Elly Vannieuwenhuysen, p. 48, KU Leuven, 2014–2015. Gatlin, Chancy J. (2014). The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community (Thesis). Georgia State University.