Nektar Panorama P1 MIDI Keyboard - Black/White

Product Information

For example, in mixer mode you can control the mute and solo statuses of each track, or in instrument mode the buttons might be used to toggle plug-in parameters. For example, at the budget end of the market the Behringer BCR2000 and BCF2000 both offer good performance and excellent value for money. Also a bit disappointed to see that the only izotope plugin they have pre-mapped is the old Ozone 5 imager, so I'm guessing they do not really support izotope plugins as an example, but if its easy to map your own maybe thats ok. In all modes — including the Mixer mode — the base of the TFT contains some additional tabs that allow you to display different control options on the TFT. The ninth fader is linked to the master stereo output so you always have control of the overall output level.

However, as we already mentioned, this doesn't mean that you can't use un-configured software with the Panorama; if the DAW/plug-in is not configured then you just won't have access to some of the deeper integration features that the Panorama currently offers with Reason and Cubase.If you want even deeper control for your 3rd party VST, VST3 or AU instrument plugins, simply run Nektarine alongside Nektar DAW integration: Then you can control it all and build maps as deep as you like! The integration with Bitwig Studio, Cubase, Nuendo, Logic Pro, MainStage, Reaper, Reason and Studio One is so deep that you can immerse yourself in your music without having to constantly reach for the mouse. It does of course take time to achieve such deep integration with any DAW though and the Panorama team want to make sure that they get it just right, so we'll forgive them for building in small steps won't we? make sure p1 is not enabled anywhere I'm windows or in reaper midi devices before setting up control surface. The fader obviously is not motorised - you have to move it through the current fader location/setting for any change to be made.

Another aspect of Panorama controllers that I really felt set it apart from their competitors is the screen, which was large enough to give really detailed feedback about what you are controlling, eliminating the need to look at up at your computer screen for many of your most common tasks. P1 is supposed to integrate extremely well with Bitwig, which would be useful, but I just look at everything I would have a learn and I'm just not up to it yet. Of course, if you are adjusting single track levels with a P4 or P6 controller then the quickest way to do it would be to simply select the track that you want to alter and use the motorised fader to set your new level.Also if I remember correctly the panorama integration utility actually boots up in windows start up so make sure that you restart windows first. Because Panorama controllers can act independently of one another, this allows you to create some really cool set-ups.

Envelopes, filter control and other important instrument parameters are assigned to Panorama’s controls.of people are just going to want to have to have this constantly hooked up to their computer as a control surface. What I mean by this (and this was another feature that really impressed me) is that you can assign up to 8 steps to a single button so that they can be performed, in sequence, with a single press - a superb time-saving tool. Drag and drop parameters to assign them to controls on each page or use Panorama’s parameter learn function.